CARNOID

In CARNOID, human and technological bodies meet, and the work interrogates the power and violence structures that shape their relationship. Choreographer Fabrice Mazliah examines in his new piece the posthuman entanglement - or collision - between organic and technical bodies: three performers and a car share the stage.

In choreographic dialogue with the car - that mythic promise of technological progress - CARNOID transforms the hope for invincibility into shared vulnerability and opens a space for the productive dynamics of collective collapse.