Hear Us When We Call. A Séance for Heinrich Schütz
Dom St. Peter und Paul, Zeitz, Germany
EXPERIMENT I | With works by the master and a world premiere by Laura Steenberge (*1981)
"Early music" - for many still a provocative term. "You have to know so much to play this music!" - anyone who discusses the repertoire between 1600 and 1750 with so-called "modern" musicians knows this refrain. Yet "knowledge" is impossible given the sheer abundance of contradictory sources; the myth persists nonetheless.
THE PRESENT embarks as a detective on an experiment and makes contact with the past. The "Italian Madrigals" SWV 1-19 and a world premiere by American composer Laura Steenberge serve as a vehicle to directly question Heinrich Schütz about his creative work.
With a wink, the artist in residence poses questions at the start of the music festival: Will we succeed in making contact with Heinrich Schütz? Will the composer answer the ghost telephone?











