Bach in Dialogue - Rethinking the Well-Tempered Clavier
Philippuskirche, Leipzig, Germany
The Well-Tempered Clavier in dialogue with Bach's chorales, arias, and cantatas: Swedish-Ukrainian pianist Natalya Pasichnyk draws connections between Bach's vocal works and his purely instrumental cycle, transforming the 48 pieces into a coherent narrative. Together with the Calmus Ensemble Leipzig, she unfolds these interpretations sonically - voice and piano enter into dialogue, language and sound interweave into a spiritual narrative about human existence and Bach's vision of music as a path to spiritual renewal.
Program (selection): Johann Sebastian Bach (1685-1750): Prelude and Fugue in C-sharp minor (BWV 849); Nun komm, der Heiden Heiland; Prelude in C major (BWV 846); Du meine Seele, singe; Fugue in A-flat major (BWV 862); Wie schön leuchtet der Morgenstern; Prelude in C-sharp major (BWV 848); In dulci jubilo; Befiehl du deine Wege (BWV 272); Fugue in D minor (BWV 851); Prelude in F minor (BWV 857); Prelude in E-flat minor (BWV 853); Fugue in B minor (BWV 869); Es ist vollbracht; Prelude in G major (BWV 860); Erstanden ist der heilig Christ; Prelude in F major (BWV 856); O ewiges Feuer, o Ursprung der Liebe (BWV 34/1); Fugue in E-flat major (BWV 852); Heilig, heilig, heilig (BWV 325) - and further works by J. S. Bach, Ludwig Böhme, and Wilhelm Weismann.











